Inaugurated
by Mrs. Megawati Sukarno Putri on October 20, 2000, under the name
"Ancient Danar Hadi Batik Gallery" now changed its name to "Museum Batik
Danar Hadi". Although the actual company itself Danar Hadi had stood since 1967. Danar Hadi Batik is a holding company formed by Mr. & Mrs. Santosa Doellah. The
purpose of the company ntuk enrich the development of the art of batik
batik business in particular and in Indonesia in general. The
purpose of our business groups are contributing something of value to
the famous traditional art as an expression of life and philosophy of
Javanese culture.History of Batik IndonesiaBatik: Indonesia valuable workBatik is an ancient art technology that is almost as well as the art of making fabric itself. Developed
in Indonesia since centuries ago, in the land of Java batik evolved
into an expression rooted in the mythology, philosophy, and cycle around
the world symbol of China and India come kehidupan.Dari Hindu and
Buddhist influences, while the Arabs and the Persians come from Islamic
nuance. The
trail is reflected in the variety of batik patterns on the north coast
of Java island and in the center of the aristocracy of Surakarta and
Yogyakarta. "Batik is the art of crafting a masterpiece influenced laden journey time and environmental changes." node H. Santosa
Doellah, founder Hadi Batik Danar and a collector with a variety of
collections that were able to describe the journey of Indonesian batik.As
a result of interaction with the times and historical environment,
distinguished by batik patterns, style, and color Batik Kraton blends
Hindu culture to infiltrate the palace of Java in the fifth century (via
ornaments eagle, dragon, lotus, and the tree of life) to the culture of
Islam who came afterwards (with the characteristic variety of stylized symbol). Kraton include batik batik variety of Kasunanan Surakarta, Yogyakarta Sultanate Pakualaman Temple, and Temple Mangkunegaran. Batik Dutch outbreak in 1840 and reached a peak in 1890-1910, the pilot of the Dutch / European in the north coast of Java. Variety of colors and motifs typical individual presents a unique and significant style. Batik
Chinese who came later, rich with oriental ornaments (snakes, lions,
dragons, and birds Phonix) in bright colors and pastels from production
centers in Pekalongan, Cirebon, Ghost, and Demak. For the marketing area of Surakarta and Yogyakarta format is Batik Batik Two and Three Negri Negri.Age
of Japan produces Hokokai Java Batik, Motif and colors reflect the
strong influence of Japanese culture, for example, bright flowers on a
background of traditional parang or slope. Batik
Indonesia's independence era produced, cast traditional motifs with
Isen (stuffing) are modified and completed by the coastal batik
technique. Many colors in addition to the classic Soga and new motives epigon presents Modern Batik. Batik
Sudagaran emerged in the late nineteenth century, classical batik
ornaments come from the palace, but the layout and format is composed
according to taste batik merchants. For example, motive patched with geometrical modifications, parang motif is filled with ornaments nitik snails.Collection CollectionDanar
Hadi Batik Museum of Ancient Batik collection is that all personal
property, amounting to 10 000 pieces collected over the past 30 years,
1,500 pieces of which are derived from the private collection of a
museum curator Troupen, The Netherlands. Batik batik-making that dates to between 1840-1910.A number of old batik fabric with a special motif occupies a space on the inside is quite extensive. In a room that was designed with this aristocratic atmosphere, displayed dozens of pieces of batik cloth that is very rare. Batik, batik was in his day just made for the king or duke dukes and princes level. In those days, batik, batik with specific motifs is strictly forbidden sengkeran batik worn by ordinary people. Ban
issued by the king's cause psychological effects that such batik Parang
Barong, Udan lyrical, Ageng Cement, Cement Gurda contain magical
properties and sacred.The
collection is partly derived directly from the four palaces in Solo and
Yogyakarta; the palace Kasunanan Surakarta, Yogyakarta Sultanate
Palace, Pura Pura Pakualaman Mangkunegaran as well. Curator
of the Museum of Ancient Danar Hadi Batik, Mrs. TT Soerjanto Ir (65),
points out, it managed to collect Sri Majesty's batik cloth Pakubuwono X
(1893-1939). "Motif fabric with Ceplok near to these supposedly ageman dalem (king of fashion), but somehow the truth," he said. He acknowledged, due to various factors, the data about the collection is weak.There
are several fabric collections PB X display in one corner with a photo
of himself King of Surakarta and their consorts Gold GKR. In
another corner, a number of fabric collections are partly Pura
Mangkunegaran writing (late) Nyi Ageng Mardusari, a concubine KGPAA
Mangkoenagoro VII known as a singer and master of batik.Nyai Mardusari batik works like Bogas Pakis are very beautiful, so is the work of Mangunkusumo Kray, Gragah waluh. Or other collections such as Parang Sarpa. Its color is yellowish soga combined with a pattern that produces a bluish background nansa impressive. Soga also the nuances of each court has the characteristics of each. Kasunanan
tend to reddish-brown batik, Batik Sultanate contrast with the
background of brown and white, is Batik Pakualaman tend cream.The number of fabric collections from the palace of Yogyakarta Sultanate and Pakualaman occupies another corner. Of which cloths lyrical collection tank empress lane VII, as well as batik Slope of Pura Pakualaman Huk.There is also a special collection dodot fabric worn for dance clothing Bedhaya Ketawang. Dodot fabric is usually a length of 4.5 meters by 2.25 meters wide. Motive
is called the base-grounds which describes the content of the forest,
with stylized shapes (animals and plants) is simple. Plain green color, while his paintings using materials of gold tinsel.Facilities Land / Building Area: 1100 m2 + / + 750 m2- Permanent Exhibition Space- Space Administration- Toilet
sumber: WiKi
visit the city of art and culture
Surakarta, Central Java, Indonesia
Standing in the land area of 28 hectares, terda pat dozen locomotive that used to serve the visitors Agro. Here there are a dozen locomotive. Loko hing-ga old locomotive is still preserved and there was in Norway and two in Tasikmadu this, that what is now the recreation area was originally an empty land. Then utilized for asset development. Agro and Sugar Factory Tasikmadu Karanganyar was inaugurated December 18, 2005.
Historical attractions are located in the area Sondokoro Sugar Tasikmadu PTPN IX. This tour offers a tour of the historical past, with the operation of Teboe Spoor, steam trains transporting sugarcane. Passengers are invited to venture into areas of sugar mills with wood-fired trains. Also in this tourist area can choose what she likes rides. There is a water park, a suspension bridge (limited to ten people at a time), fountains, gardens and lin bag, fish therapy, monuments rollers, swimming, re nang, flying fox, the way of reflection, and much more. The price was skewed.
sumber: WiKi
visit the city of art and culture
Surakarta, Central Java, Indonesia
Opera
house in Solo, the site of the diverse meanings of art activities,
which I know is the Central Java Cultural Park known as Surakarta
Cultural Park (TBS). Before the era of regional autonomy, TBS is under the Directorate General of Culture, aka the central government. Almost all provinces have a cultural park. Incidentally, for located in Solo Central Java.Before
centered on Kentingan, once the 'headquarters' artists are Kamandungan,
Surakarta Palace complex and Mesen campus, with the name of the Central
Java Arts Center. Only
in the early 1980s (if not mistaken) PKJT split into two, which is
engaged in arts education Karawitan Indonesia named Academy of Arts
(ASKI) and then changed its name to the College of Arts Indonesia (STSI)
and is now called the Institut Seni Indonesia (ISI) Surakarta. For the 'showroom' art products, it's on TBS.In addition, there is never a Balekambang park headquarters ketoprak Srimulat and arts groups. Now,
after the settlement area, the building was moved and made ketoprak new
buildings managed by the City Tourism Office Solo, with regular
appearances Ketoprak Group of Young Artists group Surakarta.Sriwedari region, there are buildings Sriwedari Puppet People are still in service today. Just a reminder, once known as Kebon Sriwedari King, the garden of Kraton Surakarta. First, there is also a zoo before it was moved in Jurug, Solo edge.In the complex there Sriwedari Museum Radya literature discovered several years ago lost much of its assets. There is also the People's Amusement Park, aka THR. Outsiders often confused, call Parks Sriwedari as Surakarta Cultural Park. Yet, clearly different. Sriwedari, of course, entered the region because of the role of cultural history. In
THR, is now routine for performing dangdut music, songs and Shania
Twain song memories, but there are various children's games such as car
bombs and the like.Until
the early reign of two years, Mr. Jokowi conducted a survey of art and
cultural potential of up to 400-s record and dance groups, music,
theater and visual art. He
then concludes the strength of Solo in the performing arts (performing
arts) than Yogyakarta strong in art and other creative industries.
sumber: WiKi
visit the city of art and cultureSurakarta, Central Java, Indonesia
Wisatanesia.com-Prambanan
Hindu cultural heritage as the largest in Indonesia, Prambanan Temple
does have a charm of its own beauty. Because
besides the shape of the building and its layout is amazing, Prambanan
temple also stores historical stories and legends that really attract
tourists. No
wonder when the temple is located on the edge of the highway 17 km from
Yogyakarta to Solo is a mainstay attractions of both cities.
Temple complex built in the 9th century AD It has three main buildings beautiful architecture as high as 47 meters. The
third building symbolizes the Trimurti, the doctrine of the three main
deities of the temple of Shiva (God of fuser) in the middle,Candi Brahma (God of Guardians) in the south, and Vishnu (God the Creator) in the north. Then in front of the main building there are three smaller temples as a symbol of vehicle (vehicle) of the Trimurti. The
third temple is a temple Nandi (bull) which is the vehicle of Shiva,
Brahma Temple Goose vehicle, and vehicle Garuda Vishnu Temple.
The
tourists can also see and follow the story of the Ramayana story is
carved reliefs on the walls in a clockwise direction the balustrade of
the temple of Shiva and Brahma Temple continued. While on the balustrade of Vishnu carved reliefs Krisnayana story.
Entering
the main temple (Shiva temple) from the north, tourists can also see a
statue of a beautiful princess named Roro Jonggrang. According
to legend, Roro Jonggrang is the daughter of King Boko who wish to
marry by Bondowoso, a man mighty son of King Pengging. Roro Jonggrang who do not love London, trying to reject this proposal by stipulating that made a thousand temples in one night.
With supernatural powers, Bandung agreed terms and nearly managed to finish the job. Roro
Jonggrang a panic, trying to thwart the success of this by mobilizing
the village women to burn straw and pound rice so that the atmosphere
changed as the morning.
Thought the deadline had expired, all the supernatural powers that help Bandung running. No doubt, the work is almost finished finally abandoned. This failure certainly makes Bandung wrath. And because they could not control his anger, Bandung cursed Roro Jonggrang into a statue.
The
complete story of the legend of tourists can be seen in the museum
building is located within the premises of Prambanan Temple. Because
in addition to having a play room Audio Visual film for 15 minutes
about the history of the discovery of the Prambanan Temple until the
renovation is complete and full pugarnya, this museum is also exhibiting
a collection of archaeological objects and jewelry Mataram kings of
ancient relics found in Wonoboyo, Klaten.Tourism Indonesia Heaven on Earth.
sumber: WiKi
visit the city of art and cultureSurakarta, Central Java, Indonesia
Temple Cetho (Javanese spelling: cethå) is a Hindu temple-style relics of the end of the Majapahit (15th century). The first scientific report of him was made by Van de Vlies in 1842. A.J. Bernet Kempers also do some research about it. Excavation (digging) for the purpose of reconstruction was first performed in 1928 by the Archaeological Department of the Dutch East Indies. Under the circumstances when the ruins began to study, this temple has not aged that much with Sukuh. Location of the temple is located in the hamlet of Ceto, Gumeng Village, District Jenawi, Karanganyar district, at an altitude of 1400m above sea level.
Until now, the temple complex is used by locals as a Hindu shrine and popular as a hermitage for religious believers among native Javanese / Javanese.
Arrangement of buildings
When it was discovered the state of this temple is the stone ruins on the plains fourteen-story, extending from the west (lowest) to the east, although at present live 13 terrace, and the restoration carried out on the porch just nine. The structure having terraces make the emergence of the notion of a revival of indigenous culture ("punden staircase") at the time, which is synthesized by the Hindu religion. This suspicion is reinforced by body shape in relief like a puppet, which is similar to the depiction in Sukuh.
Restoration was undertaken by Humardani, Suharto's personal assistant, at the end of the 1970s changed many of the original structure of the temple, although the concept punden staircase will be retained. The restoration was widely criticized by archaeologists, given that the restoration of archaeological sites can not be done without a thorough study. The new building is the restoration of the magnificent gate in the front, wooden buildings of the hermitage, statues Sabdapalon, Nayagenggong, UB V, as well as the phallus, and building the cube at the top punden.
Furthermore, Regent Karanganyar, Rina Iriani, by reason of religious passion to animate around the temple, placing statues of Goddess Saraswati, the contribution of the Gianyar Regency, in the eastern part of the temple complex.
At its present state, the temple consists of nine levels Cetho terraces. Before the gate of the temple-shaped moment, visitors find two pairs of statues guard. The first level of a page after the gate entrance of the temple. Still a second level of pages here and there petilasan Ki Ageng Krincingwesi, Dusun community Cetho ancestors.
At the third level of settings, there is a flat stone on the ground that describes the giant tortoise, solar Majapahit (presumably as a symbol of Majapahit), and a symbol of phallus (penis, male genitalia) along the 2 meter equipped with a decorative piercing (piercing) of type ampallang. Turtles are the symbol of the creation of the universe while the penis is a symbol of human creation. There are depictions of other animals, such as horseshoe crabs, frogs, and crayfish. Animal symbols that exist, can be read as a framed suryasengkala Saka year 1373, or 1451 modern era.
At the next level of rock can be found on line that contains two adjacent terrain relief Sudhamala story excerpts, as found also in Sukuh. This story is still popular among the Java community as a basis Ruwatan ceremony. The next two cedar gazebo includes buildings that flank the entrance of the temple. Until now the gazebo-gazebo is used as a place pelangsungan religious ceremonies. Can be found on the seventh level of the two statues on the north and south. On the north side of the statue and in the south Sabdapalon Nayagenggong, two half-mythical figures (many consider the fact they are one people) are believed to be the servant and spiritual advisor to the King Brawijaya V.
At the level of the eighth there phallus statues (called "kuntobimo") on the north side and the statue of the King UB V in the form of Mahadeva. Worship of the phallus statue symbolizes gratitude and hope for the abundant fertility of the local earth. Aras last (ninth) is the highest level of climbing as a place of prayer. Here there is a cube-shaped stone building.
Temple next to the building there is a building Cetho which in the past used as a place to wash up before carrying out the rituals of worship (patirtan). Near the building of the temple, with a steep slope down, found again a temple complex that the community referred to as the Temple Kethek ("Monkey Temple").
sumber: WiKi
visit the city of art and cultureSurakarta, Central Java, Indonesia
